10 Underrated Horror Movies from the 1980s That You Need to See

10 Underrated Horror Movies from the 1980s That You Need to See

The 1980s horror film landscape produced a multitude of cult classics that, despite their brilliance, remain somewhat obscure to contemporary audiences. This era is primarily celebrated for its notorious slasher franchises, yet countless exceptional horror films went unnoticed, meriting a retrospective viewing by modern fans. These hidden gems, spanning from psychological thrillers to supernatural and ghost stories, represent a unique blend of creativity and fear, which deserves renewed attention.

Beyond staples like Friday the 13th, this decade was peppered with equally captivating titles that haven’t achieved the recognition they warrant. Whether exploring family-friendly frights or hard-hitting horrors, these films have unique narratives and styles that stand in stark contrast to the mainstream trends of their time. Below, we highlight ten of the most underrated horror films of the 1980s that are worthy of a modern audience’s time.

10
The Gate

1987

The final demon snarling in The Gate 1987

In the wake of the “Satanic Panic”of the late ’80s, The Gate emerged from a collaborative effort between American and Canadian filmmakers. This intriguing tale follows a young boy who discovers a buried geode, ultimately unlocking a portal to Hell. Remarkably, this PG-13 horror flick appeals to younger viewers, intertwining family-friendly elements with supernatural darkness, offering a gateway into the genre for a new generation.

9
The Howling

1981

Werewolf in The Howling

Presented alongside multiple werewolf films in 1981, The Howling remains a standout that has not received its due praise. Starring horror legend Dee Wallace, the film spins a comedic yet bloody tale of a protagonist uncovering a resort notorious for concealing its werewolf inhabitants. The innovative effects work of Rob Bottin further solidifies this film as a classic that merited more acclaim against the backdrop of contemporaries like An American Werewolf in London.

8
Just Before Dawn

1981

hillbilly horror

Just Before Dawn is a slasher that, while predictable, offers a refreshing take on the genre through its artistic style and character evolution. Visually striking, the film chronicles five friends in Oregon’s isolated woods, defenseless against a machete-wielding twin killer. Its thoughtful portrayal of psychological deterioration and survival sets it apart from typical slasher tropes.

7
Razorback

1984

A giant monster boar from Razorback (1984)

This Australian masterpiece, Razorback, delves into man versus nature amid a chilling storyline involving a monstrous wild boar. The plot follows the widow of a journalist who uncovers a dark, illegal pet food operation. This film’s seamless blend of horror and crime unfurls a gripping narrative that critiques humanity’s turmoil with nature and is deserving of rediscovery.

6
Next of Kin

1982

Next of Kin (1982)

Next of Kin capitalizes on both psychological suspense and mystery, showcasing a young woman who, upon inheriting an elderly care home, finds herself ensnared in a web of sinister occurrences. As she investigates, the film combines hints of haunted house narratives with striking revelations, earning it a passionate following, including praise from Quentin Tarantino.

5
Vampire’s Kiss

1988

Nicolas Cage as Peter Loew wearing fake vampire teeth in Vampire's Kiss

Nicolas Cage’s performance in Vampire’s Kiss brilliantly encapsulates the era’s excess while serving as a sharp commentary on capitalism. Portraying a young executive believing himself to be turning into a vampire, Cage’s descent into mania is both darkly comedic and chilling. The film cleverly critiques the moral ambiguity of the late-80s through Cage’s surreal experiences, ensuring its place in horror’s various subgenres.

4
Slaughter High

1986

The Jester masked killer in Slaughter High

Slaughter High is an audacious exploration of slasher tropes linked to April Fool’s Day. Following a disfigured student seeking revenge on his tormentors, the film is rife with creative and gory execution of its narrative, leaving its mark through its campy aesthetic. Despite sharing its release year with April Fool’s Day, this film offered its own unique style well worth viewing.

3
Prince Of Darkness

1987

Prince of Darkness

John Carpenter’s Prince of Darkness is a surreal investigation into the notion of evil, as a priest discovers a sinister green substance in his church. As scientists are called in to study it, the narrative unfolds with surreal and philosophical dimensions, presenting a tale of horror that challenges human comprehension of malevolence. Despite its depth, this film is often undervalued in Carpenter’s notable oeuvre.

2
Celia

1989

Celia 1989

A nuanced exploration of childhood and the horrors of imagination, Celia delves into a young girl’s psyche amid familial strife and societal fears in 1980s Australia. With a backdrop of historical reflection on past societal fears, the film challenges conventions, presenting a compelling amalgamation of drama and horror that resonates on multiple levels, yet is tragically overlooked.

1
Anguish

1987

Anguish 1987

Anguish presents an inventive and disorienting take on the horror genre, seamlessly weaving layers of narrative and psychological terror. Set primarily inside a movie theater, the story explores the blurred lines between fantasy and reality as viewers become unwitting participants in on-screen violence. Its artistic ambition and striking imagery warrant recognition and admiration, setting a standard for horror storytelling that remains unmatched.

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