Warning: Spoilers ahead for Season 3 of From.
Since its premiere in 2022, From has captured significant attention and earned comparisons to the iconic series, Lost. These parallels arise not only from thematic similarities but also from shared creative talents. Harold Perrineau, known for his role as Michael Dawson in Lost, leads the cast of From as Boyd Stevens. Additionally, Jack Bender, an executive producer and director of memorable Lost episodes, is closely involved in From’s production as well.
Both series share an overarching sense of mystery, engaging viewers with unanswered questions that persist even after some enigmas are resolved. Their ensemble casts are reminiscent of each other, and as illustrated by the dramatic conclusion of From’s third season, both shows aren’t afraid to eliminate prominent characters, highlighting their willingness to mimic certain plot devices from Lost while presenting a uniquely original narrative.
8. Trapped in Isolation
The Mysterious Settings Become Characters
In both From and Lost, characters find themselves constrained within enigmatic locations: the Town in From, which they cannot leave, and the Island in Lost, following the plane crash of Oceanic Airlines Flight 815. Central to both narratives is the exploration of why these individuals are drawn to these settings, intertwining themes of faith and fate with the physical mysteries surrounding them.
Each setting gradually unveils its history and details, serving as quasi-characters in their own right. In From, while the characters initially remain within the confines of the Town, they eventually venture into the surrounding forest, uncovering startling secrets about their environment. This narrative style echoes Lost, where the survivors of Oceanic 815 transition from their beachfront camp into the dense jungle of the Island.
7. Estranged Father-Son Dynamics
Reconciliation Opportunities
Both Harold Perrineau’s characters in From and Lost grapple with estranged relationships with their sons. In Lost, Michael’s relationship with Walt is fraught from the outset, a dynamic complicated by Michael’s previous choices. The tumultuous setting of the Island, however, grants them a chance to connect.
In contrast, Boyd Stevens shares a generally strong bond with his son Ellis until catastrophic events lead to their estrangement. After Boyd is forced to confront a grave situation with Ellis’s mother, Abby, their relationship faces turmoil but ultimately finds a path toward reconciliation, unlike Michael and Walt, who miss their opportunity.
6. Time Travel Elements
Time Travel Rules
Both series weave time travel into their narratives, showcasing its complexities and rules. In From, season 3 introduces time travel through Julie Matthews, echoing Lost’s gradual integration of this concept, beginning with Desmond Hume and culminating in season 5, where characters navigate various time periods on the Island.
Lost upheld the principle of “whatever happened, happened,”limiting characters from altering past events. From adopts this premise, illustrating it through Julie’s actions, confirming her consistent role as a catalyst in Boyd’s journey. This thematic continuity serves to deepen the narrative complexity in both series.
5. Villains Introduced Gradually
Mysterious Foes
In From’s season 3 finale, the enigmatic Man in Yellow emerges as a significant antagonistic presence, reminiscent of Lost’s Man in Black. Both characters were present from the outset yet only acknowledged as pivotal players much later in their respective narratives, contributing deeply to the lore of each series. If the Man in Yellow aligns with Lost’s Man in Black, then his counterpart in From may well be represented by the Boy in White.
4. Significant Character Deaths in Season Finales
Impactful Endings
Both series employ impactful character deaths as climactic plot points, particularly in their season 3 finales. Charlie’s demise in Lost garnered widespread acclaim and heartbreak due to its unexpectedness despite early foreshadowing. Comparatively, Jim’s death in From’s finale marks a significant narrative shift, though opinions on his character’s likability may vary. His fate resonates strongly with audiences, echoing the pivotal nature of Charlie’s exit, hinting at transformative changes to come.
3. Dark Pregnancy Mysteries
Ominous Pregnancies
In both narratives, pregnancies take on dark significance. Claire’s pregnancy on the Island suggests ominous undertones, particularly as The Others express intense interest in her situation. The mystery deepens with the introductory arc of Juliet, tasked with investigating the fatalities of pregnant women on the Island.
From adds a unique twist with Fatima’s storyline, incorporating horror elements as her supposed infertility is countered by a sudden and malignant pregnancy. This develops into a gruesome narrative thread as she faces pain and urges to harm others while carrying the Smiley monster’s offspring, linking her fate with more sinister forces at play.
2. Characters Returning from the Outside World
Tabitha Matthews and the Oceanic Six
The Oceanic Six in Lost successfully escape the Island only to return, revealing their deep connection to the land they sought to leave. Tabitha Matthews follows a parallel path, momentarily escaping the Town before looping back into its grips, reflecting the inescapable fate tethered to their unique narrative circumstances. Through reincarnation, she realizes that both she and Jade have revisited these challenges in alternate forms, leaving open the question of whether others share similar fates.
1. Survival Instincts Developed Through Isolation
Vigilant Survivors
Danielle Rousseau’s long-term isolation led to her emerging as a skilled survivor, navigating the complexities of the Island after 16 arduous years. Notably, From’s Victor Kavanaugh underwent a similarly isolated experience, fostering his acute survival instincts. These characters become invaluable resources for their respective groups, offering insights drawn from their unique struggles, although Victor assumes a more central role compared to the often sporadic presence of Rousseau.
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