Conclave Writer Defends Ending Amid Conservative Backlash: “I Stand By It”

Conclave Writer Defends Ending Amid Conservative Backlash: “I Stand By It”

Controversial Ending of *Conclave*: Insights from Screenwriter Peter Straughan

In a recent discussion regarding the film *Conclave*, writer Peter Straughan addressed backlash received due to the film’s conclusion. The narrative revolves around a group of cardinals who gather to elect a new pope following the demise of their predecessor. A significant point of contention emerged from the film’s finale, where Cardinal Benitez is revealed to be intersex. This revelation has sparked extensive debate and controversy within various circles.

Straughan Defends the Film’s Message

At the Golden Globes press conference, where he was awarded Best Screenplay for *Conclave*, Straughan provided a robust defense of the film’s message, asserting that it does not possess an anti-Catholic stance. His reflections were compelling, particularly in light of his own background and personal experiences within the Catholic Church.

I don’t think the film is anti-Catholic. I was brought up Catholic. I was an altar boy. I think the core message of Conclave is about the church always having to re-find its spiritual core, because it deals so much with power. That’s always been a careful, difficult balance. To me, that was a very central Catholic ideal that I was brought up with. I stand by it.

Implications of the Revelation

The revelation regarding Cardinal Benitez raises essential questions about representation and inclusivity within religious narratives, particularly in cinema. As society continues to evolve, exploring identity and gender through the lens of traditional institutions like the Catholic Church becomes increasingly pertinent. Issues surrounding power dynamics within religious settings and the pursuit of spiritual authenticity remain critical themes in contemporary discourse.

Looking Ahead

While the conversation around *Conclave* and its ending is ongoing, Straughan’s reflections pave the way for a deeper exploration of faith, identity, and institutional power. As more views emerge, the film is likely to remain a topic of interest in both cinematic and theological discussions.

Stay tuned for further updates and insights on this developing story.

Source & Images

Leave a Reply

Your email address will not be published. Required fields are marked *