Examining Oscar Bias: A 96-Year Analysis of Nominations and Winners for Horror Films

Throughout cinematic history, the horror genre has captivated audiences worldwide, despite often being overlooked by critics and prestigious award ceremonies like the Academy Awards. This bias appears rooted in the misconception that horror relies primarily on jump scares and thrills, rendering it less “artistic”than genres such as drama or biopic. Notably, blockbuster action films face similar skepticism, often dismissed as mere spectacles lacking substantive merit.

Although the Academy has begun to show some appreciation for the artistry inherent in horror films, the genre still grapples with obstacles in securing significant recognition. Enthusiasm is growing, particularly with eager predictions for the 2025 Oscars. Furthermore, despite a historical tendency to neglect horror, several films have nonetheless garnered Oscar nominations and even wins, often centered on their groundbreaking visual effects rather than their narrative or thematic depth.

Why There’s A Perception That The Oscars Overlook Horror Movies

The Oscar’s 96-Year History of Overlooking Horror

Historically, horror films have been met with skepticism. Where biopics and dramas bask in acclaim, horror is typically dismissed as merely a collection of frights. Yet, the genre serves a profound purpose, reflecting societal fears and anxieties. Far from being a simplistic form of entertainment, horror challenges actors and filmmakers alike, providing a unique lens for cultural critique.

Despite this potential, some critics continue to endorse horror films only when perceived as “more than” horror. The recent recognition of the poignant film The Substance, which secured five Golden Globe nominations, suggests a burgeoning interest in horrors with substantive depth. This film’s ability to resonate with audiences while pushing social commentary to the forefront indicates a positive shift in how the genre is evaluated by award bodies.

The Presence of Horror Films in Best Picture Nominations

Underrepresentation of Horror in Best Picture Categories

The absence of horror films in the Oscars’ Best Picture category is striking. Despite the genre’s rich legacy dating back to the 1927 release of King Kong, only six horror films have received nominations for this pinnacle award. Renowned titles like The Exorcist (1973) and Jaws (1975) secured multiple nominations yet walked away without the Best Picture accolade.

For instance, The Exorcist accumulated ten nominations but lost to The Sting. Similarly, Jaws garnered four nominations, ultimately losing to One Flew Over the Cuckoo’s Nest, a tough competition. The groundbreaking The Silence of the Lambs (1991) eventually turned the tide, winning the coveted Best Picture award.

Other notable horror films like The Sixth Sense (1999) earned critical acclaim but lost out to American Beauty. Meanwhile, films such as Black Swan (2010) teased boundaries as psychological thrillers, also failing to clinch the Best Picture award. However, their nominations hint at a slow evolution in the Academy’s perspective.

Indeed, Jordan Peele’s contributions have been pivotal in uplifting horror in contemporary cinema. His debut, Get Out, was a formidable contender with four Academy nominations at the 90th ceremony. While it did not win Best Picture, its recognition indicates a subtle yet meaningful shift in how the Academy perceives horror films.

Horror Films in the Best Director Nominations

Best Director is Even Less Acknowledged for Horror

In the Best Director category, horror films have historically struggled to gain acknowledgment. While Get Out received a nomination for Best Director alongside its Original Screenplay win, this recognition has been rare. The Exorcist also earned a Best Director nomination back in 1973, showcasing a strong merit in directing.

While other notable horror films like Black Swan (2010) received similar nods and did not win, there have been instances where directors with successful horror films have also excelled in other genres, notably Steven Spielberg with works like Jaws and Poltergeist.