Taylor Sheridan’s neo-Western series Yellowstone has played a pivotal role in rejuvenating the Western genre on television. However, its narrative lineage can arguably be traced back to an earlier neo-Western—Sons of Anarchy. Featuring Kevin Costner alongside a diverse and talented cast, Yellowstone captivated audiences with its compelling blend of drama, action, and the rugged allure of the Western backdrop. The show’s appeal lies not only in its iconic cowboys and gunfights but also in its intricate web of political intrigue and corporate machinations, which have attracted a broad and varied viewership.
While Yellowstone possesses its distinct visual style and dialogue, Sheridan expertly draws inspiration from some of the most acclaimed television dramas of the past three decades. The similarities between Yellowstone and the FX crime saga Sons of Anarchy are noteworthy; in fact, some fans have dubbed Yellowstone as “Sons of Anarchy on horses.” Sheridan’s knack for storytelling has clearly been influenced by his previous experience in the television industry, highlighting the connection between the two series.
Sheridan’s Dual Role: Actor and Creator
Taylor Sheridan’s Role as Deputy Chief David Hale
Before crafting Yellowstone, Taylor Sheridan was an active television actor, portraying various minor roles prior to joining Sons of Anarchy in 2008. This critically-acclaimed series chronicles the tumultuous dynamics of a motorcycle club striving for power and freedom amidst violence and revenge. During the first three seasons, Sheridan played a significant role as Deputy Sheriff David Hale, embodying a straight-laced law enforcer with a complicated relationship with the motorcycle gang.
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All Shows Created By Taylor Sheridan |
|
|---|---|
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Yellowstone |
2018-2024 |
|
The Last Cowboy |
2019-present |
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1883 |
2021-2022 |
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Mayor of Kingstown |
2021-present |
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Tulsa King |
2022-present |
|
1923 |
2022-present |
|
Lioness |
2023-present |
|
Landman |
2024-present |
Sheridan’s tenure in Sons of Anarchy was abruptly cut short when his character faced a sudden demise, a narrative twist that created substantial speculation about its origins, with some sources claiming it stemmed from a salary dispute. Nonetheless, creators asserted that Sheridan’s departure led to his character’s exit. This cloud of intrigue has led fans of Yellowstone to connect his dramatic farewell with certain plot points, such as the season 3 episode “Going Back to Cali,” which features John Dutton and his crew clashing with a biker gang, sparking speculation about Sheridan’s behind-the-scenes struggles.
Cross-Pollination of Talent: SOA Co-stars in Yellowstone
A Familiar Face in Yellowstone
In addition to the subtle nods, the crossover between the two series extends beyond thematic parallels. Sheridan has incorporated several actors from Sons of Anarchy into the expanding universe of Yellowstone. One notable actor is Q’orianka Kilcher, who transitioned from playing Chibs’ daughter in Sons of Anarchy to portraying Angela Blue Thunder, a business consultant and litigator, in Yellowstone.
Furthermore, producer John Linson serves as an executive producer on both series, seamlessly linking their creative paths. Screen icon Robert Patrick has also made his mark in both shows; he features as Les Packer, the president of the Sons of Anarchy San Bernardino chapter, and as Sheriff William McDowell in Yellowstone’s spin-off 1923. Additionally, Lamonica Garrett appears in both narratives—playing Deputy Sheriff Cane in Sons of Anarchy, and as Pinkerton Agent Thomas in the spinoff 1883.
The Neo-Western Link: Sons of Anarchy and Yellowstone
Exploring Shared Themes
While often categorized as a crime drama akin to traditional gangster narratives, Sons of Anarchy possesses many attributes commonly associated with Westerns. The outlaw culture of SAMCRO draws from classic Western motifs, including the rebellion against authority and the pursuit of personal justice, reminiscent of “frontier justice”from bygone eras. This recurring theme of defiance against the establishment is a parallel that both shows explore, reinforcing their categorization as neo-Westerns.
Key character dynamics further illustrate these connections, such as the tension between Clay Morrow and Jax Teller mirroring the relationship between John Dutton and Kayce. Ultimately, both series delve deeply into the themes of individualism and freedom. The Sons of Anarchy strive to maintain their grip on power while resisting societal change, a struggle that mirrors the Dutton family’s efforts to protect their ranch against intrusions and preserve their traditional way of life.
In conclusion, whether Taylor Sheridan consciously crafted this relationship or it evolved organically, Yellowstone undoubtedly positions itself as a thematic descendant of Sons of Anarchy. Both series resonate powerfully within the neo-Western genre, showcasing complex narratives that engage viewers profoundly.
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