Kendrick Lamar: A Milestone in Music Recognition
In 2018, Kendrick Lamar made history by becoming the first non-classical and non-jazz musician to receive the Pulitzer Prize for Music, acknowledging his groundbreaking fourth studio album, DAMN.. This accolade previously honored only artists from jazz and classical backgrounds, making Lamar’s win a significant departure from tradition.
The Impact of Winning a Pulitzer
While this recognition elevates Kendrick Lamar’s status in the music industry, it also subject him to intense scrutiny. The announcement sparked debate among music enthusiasts, with traditionalists expressing doubts about the validity of awarding a rap album a Pulitzer. Fans of hip-hop, on the other hand, engaged in discussions on whether DAMN. truly deserved the prestigious honor as the first rap album to win.
Before delving into the arguments surrounding the album’s merit for such an award, let’s examine the album itself.
Unpacking the Layers of Kendrick Lamar’s DAMN.
Exploring the Themes of DAMN.
Kendrick Lamar has hinted at the rich complexity of DAMN. by sharing that it can even be played in reverse, creating a new narrative experience for listeners. This innovative approach was intentional, showcasing his artistic vision that invites diverse interpretations of the album’s themes—ranging from morality to faith and the dual aspects of human nature.
Listeners have proposed various interpretations, including views of the album as a spiritual examination reminiscent of his earlier work, To Pimp a Butterfly, with underlying references to religious figures and the personal struggles Lamar confronts. The fourteen tracks feature collaborations with prominent artists such as U2 and Rihanna, and the production includes contributions from acclaimed producers like The Alchemist and Mike Will Made It.
Jazz Influences in DAMN.
Aligning with Past Pulitzer Winners
Although DAMN. is not a jazz album per se, its deep-rooted jazz influences lend it a unique stature. Winning four Grammys, including Best Rap Album, was a significant achievement, but the Pulitzer Prize win undoubtedly placed DAMN. on a global stage. Historically, the Pulitzer has recognized jazz and classical works, representing an evolution in the award’s framing toward inclusivity of genres.
Using jazz samples, like “Wah Wah Man”for the track “XXX,”the album showcases Lamar’s ability to blend various musical styles, prompting discussions on its place among previous winners.
Criticism Surrounding the Award
Debates on Tradition vs. Innovation
Despite the acclaim, some critics argue against DAMN. winning the Pulitzer, primarily due to its divergence from traditional choices. They assert that awarding such a commercially successful album detracts from spotlighting lesser-known classical or jazz compositions which could have benefited from the recognition.
Furthermore, some of Kendrick’s dedicated fans argue that while DAMN. is an exceptional work, it may not be the strongest entry in his discography, with albums like To Pimp a Butterfly or Good Kid, M.A.A.D City deserving equal or greater recognition.
The Case for DAMN. as a Worthy Pulitzer Recipient
A Cultural Reflection of the 2010s
Several compelling factors justify DAMN.‘s Pulitzer Prize win. It represents a cultural shift, underscoring the growing recognition of contemporary rap as an art form comparable to jazz and classical music. With rap emerging as the preeminent genre during its release, DAMN. reflects societal issues with timeless relevance—addressing topics like police brutality and systemic racism, which are still resonant today.
Nearly eight years post-release, DAMN. continues to hold cultural significance, embodying themes that echo through current events, solidifying its status as a vital work in Kendrick Lamar’s oeuvre and in contemporary music history.
Source: Consequence
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