Top Swamp-Thing Comics to Enjoy This Halloween Season from DC

Swamp Thing stands out as one of the most intriguing figures in DC Comics lore. This once-human scientist, transformed into a supernatural swamp entity, has been integral to many of DC’s darker narratives since his inception in 1970s horror comics. Frequently, Swamp Thing finds himself aligning with other supernatural heroes, safeguarding his marshy domain or various plant-filled locales from formidable foes, or grappling with the anguish of lost love.

The narratives surrounding these themes often delve into surreal, metaphysical realms, juxtaposing Swamp Thing’s introspective thoughts with his capacity to confront challenges through sheer force. Understandably, among the most compelling stories are those that stray from typical superhero tropes, instead embracing the eerie atmospheres of classic “mad science”horror.

10 House of Secrets #92

Swamp Thing’s Chilling Debut

House of Secrets #92 cover and interior featuring Swamp Thing

Writers	Len Wein, Mark Evanier, Jack Kirby
Artists	Bernie Wrightson, Alan Weiss, Bill Draut
Year	1971

Much like many Golden Age heroes and creatures, Swamp Thing first emerged in an anthology series prior to having his standalone title. House of Secrets served as a DC horror series with each issue featuring a self-contained thriller akin to Tales From the Crypt.

The story begins with a somewhat familiar mad scientist angle, eventually revealing the monstrous figure depicted on the cover—a being that is both human and vegetative in nature. This initial issue is a worthwhile read as it presents Swamp Thing’s origins without resorting to a typical comic book cliffhanger.

9 Swamp Thing #1: Dark Genesis

Swamp Thing’s First Solo Issue

Writer	Len Wein
Artist	Bernie Wrightson
Year	1972

While it may not rank as the top standalone comic, Swamp Thing’s inaugural solo issue is essential, especially after the House of Secrets introduction. This issue revisits the previous story, introducing minor alterations and elaborating on the supporting cast and conflicts, allowing for an extended narrative.

The tale remains focused on themes of misguided scientific ambition, lost affection, and vengeance, yet readers seeking resolution must delve into the wider ’70s series to find it. This original run epitomizes early ’70s monster comic excitement, so starting here or progressing through the subsequent issues offers an equally enriching experience, providing context for future readings.

8 Swamp Thing #10: The Man Who Would Not Die

A Haunting Revenge Tale Featuring Zombies

Writer	Len Wein
Artist	Bernie Wrightson
Year	1974

This issue is part of the aforementioned run but can also stand alone, requiring only a nod to Swamp Thing’s long-standing rival, Anton Arcane, who returns in a ghostly form after his previous demise.

The story unfolds as the Unmen trap Swamp Thing in a graveyard, summoned by a horde of zombies. This classic macabre narrative concludes with an ironic twist of retribution.

7 Swamp Thing #53: Garden of Earthly Delights

Swamp Thing Confronts Gotham’s Dark Knight

Writer	Alan Moore
Artist	Jon Totleben
Year	1986

Swamp Thing has enjoyed numerous crossovers, participating in groups like The Justice League Dark, though not all them align with eerie storytelling. Yet, his encounter with Batman stands out as a gripping exchange, retaining the essence of a Swamp Thing saga.

In this issue, Swamp Thing storms into Gotham, filled with fury, as he expands to towering proportions, wreaking havoc. Batman must intervene to either halt the creature or uncover the cause behind his rampage.

6 Swamp Thing #140-150: Root of All Evil

A Psychedelic Voyage Through Swamp Thing’s Psyche

Writers	Grant Morrison, Mark Millar
Artists	Kim Demulder, Phil Hester
Year	2015

This series, scripted by Grant Morrison and Mark Millar during the 1980s, remained obscured until its eventual release in 2015. In this arc, scientist Alec Holland, separated from his Swamp Thing manifestation, embarks on a journey to discern if the creature truly exists, and whether he desires to become it once more.

Characterized as authentic psychological horror, much of the narrative unfolds within the realms of Holland’s mind and the essence of Swamp Thing.

5 Saga of The Swamp Thing #37-50: American Gothic

Classic Southern Horror Through a Swamp Thing Lens

Writer	Alan Moore
Artists	Jon Totleben, Rick Veitch
Year	1985

The first complete story arc highlighted in this compilation, Alan Moore’s Saga series, revolves around Swamp Thing’s prominent collaboration with occult investigator John Constantine. Throughout this arc, Constantine endeavors to mold Swamp Thing into a tool against demonic entities, achieving varying degrees of success.

This narrative serves as a splendid frightening read, situated in the Southern U.S., paying homage to traditional gothic horror. It features ghosts, old Western shootouts, werewolves, and various other terrors. Furthermore, numerous artists contributed unique tones to the arc across its thirteen issues.

4 Swamp Thing #34: Rite of Spring

The Quintessential Love Story Featuring Swamp Thing

Writer	Alan Moore
Artists	Jon Totleben, Steve Bissette
Year	1985

Numerous stories within the Swamp Thing universe revolve around the protagonist’s bond with his beloved Abby Arcane, plagued by their fate of being apart due to his monstrous transformation. This particular issue is designed in the style of classic horror romance, finally offering the pair a fleeting chance at connection.

Abby ventures to the swamp to open up about her feelings for Swamp Thing, who presents her with a special plant he believes will foster a genuine connection between them. This plant induces a shared experience, revealing Swamp Thing’s profound existential dread in a hauntingly beautiful manner, interspersed with romance and a hint of sadness.

3 Swamp Thing Winter Special

An Isolation-Driven Suspenseful Tale

Writer	Tom King
Artist	Jason Fabok
Year	2018

The Winter Special represents a recent chapter within Swamp Thing’s saga, diverging from conventional storytelling. Rather than taking place in the familiar swamps of Louisiana, this tale finds the hero battling a fierce blizzard, striving to piece together the events that led to his entrapment and, importantly, safeguarding a young boy caught in the tempest.

This story exemplifies how contemporary writers have ingeniously blended the core characteristics that define a compelling Swamp Thing narrative into an innovative context. It intertwines introspection with mystery, culminating in a dark twist that renders the conclusion impactful.

2 Swamp Thing Annual #2: Down Among the Dead Men

Swamp Thing’s Descent into Hell

Swamp Thing Annual #2: Down Amongst the Dead Men

Writer	Alan Moore
Artists	Jon Totleben, Steve Bissette
Year	1985

If the theme of horror versus existential contemplation hasn’t yet been evident, each Swamp Thing series artfully navigates both visceral terror and profound musings on purpose and existence. This widely recognized edition revolves around Swamp Thing distancing his subconscious from his corporeal form, embarking on a journey to Hell to rescue his wife’s spirit.

The visuals depicting Hell are often cited among the most unsettling in Swamp Thing history, with the conclusion embodying the series’ signature blend of melancholy, heroic triumph, and an underlying sense of existential unease.

1 The Saga of The Swamp Thing #21: The Anatomy Lesson

Alan Moore Launches the Landmark Swamp Thing Arc

Much like how fans of traditional comic book superhero horror might begin with the original series, anyone wishing to dive into what is widely regarded as the pinnacle of Swamp Thing storytelling should commence with this issue before progressing through Alan Moore’s acclaimed run. Moore is frequently recognized as the writer who best conveyed the horror and grand mystique surrounding this enigmatic figure.

This edition serves as a fresh reinterpretation of the character’s origin, enabling new readers to jump in seamlessly. It delivers an unsettling retelling with even more disturbing illustrations, where the artist innovatively manipulates page layouts to evoke feelings of claustrophobia and apprehension.