Understanding the Ending of ‘Backrooms’ in American Horror Stories Season 4

In addition to Mike Flanagan’s acclaimed series, The Haunting of Hill House, and Midnight Mass, Ryan Murphy’s American Horror Story remains a top choice for horror aficionados seeking spine-chilling television. The new season of American Horror Stories premiered on Hulu on October 15, 2024, aligning with the annual Huluween celebration, and consists of five unsettling episodes that delve into themes of bad dreams, monstrous entities, and the bizarre boundaries that separate nightmares from reality. While every episode boasts an impressive cast and engaging narrative, the premiere episode, titled “Backrooms,” presents an especially intriguing concept.

This episode features Michael Imperioli as Daniel, a troubled screenwriter grappling with his obsession for fame and the heart-wrenching disappearance of his young son, Roman (Matthew Eby). American Horror Stories’ “Backrooms”unfolds a meticulously crafted tale packed with shocking twists and an unexpected conclusion, guaranteed to satisfy fans of the series.

What Transpires at the Conclusion of “Backrooms”from American Horror Stories Season 4?

Michael Imperioli in American Horror Stories season 4

As Daniel ponders the bizarre spaces he finds himself in—ranging from an empty grocery store to a series of eerily green-walled rooms—he encounters Eli (Matthew Maher), a man who shares his experiences regarding liminal spaces online. During a video post, Eli calls for anyone who has undergone similar phenomena to reach out. Their conversation takes place in prison, where Eli is incarcerated for accidentally killing an innocent woman.

Back at home, Daniel is apprehended by police for the murder of his son, revealing that he has been the real antagonist all along. In a dramatic turn of events, Daniel shoots a police officer, who retaliates by fatally wounding him. Daniel ultimately finds himself in a personal version of the afterlife: a waiting room where he must remain indefinitely. This conclusion resonates deeply for a character guilty of such a heinous crime against his own child.

The finale strikes a chord with its portrayal of justice served, emphasizing the symbolic representation of the afterlife as a prolonged waiting room, suggesting a parallel between heaven and hell. Michael Imperioli, noted for his role in The White Lotus season 2, delivers a captivating performance, leading viewers to believe in his confusion throughout. However, beneath it all, he conceals painful memories.

Similar to other episodes in American Horror Stories, “Backrooms”presents an array of twists, introducing a character whose morality is often called into question. Although many viewers may have surmised the truth behind Daniel’s son’s fate, the revelation remains shocking. While the story offers little insight into Daniel’s motivations for his dreadful actions, this twist is still impactful. The audience can accept Daniel’s role as the villain of the narrative, providing a sense of closure when he meets a grim end.

What Are the Backrooms Alluded to in American Horror Stories?

The Backrooms episode of American Horror Stories

In an interview with Dazed Digital, director Kane Parsons shared insights on his work:

“The larger narrative isn’t confined to a specific footage format; it ventures into realms featuring characters we haven’t encountered before and explores themes I haven’t fully addressed yet. The Backrooms is not merely an internet trend or meme—it’s a story I genuinely care about, featuring characters I truly connect with.”

Creepypasta as a genre has garnered popularity over the years, with numerous examples evident in contemporary culture, such as the TV series Channel Series. The Backrooms stand out for their unique appeal, portraying spaces that evoke a familiar image while simultaneously shrouded in mystery. Since this concept is less about a singular narrative and more an idea, creators are encouraged to unleash their creativity.

Source