Choosing the ideal film for the Halloween season can be a challenge. You may crave a thrilling experience without the shocks of jump scares. If that’s the case, why not indulge in a gripping thriller while commemorating the third anniversary of an Edgar Wright classic?
Wright’s film, Last Night in Soho, intricately blends a 1960s mystery with the life of Ellie (Thomasin McKenzie), a contemporary fashion student in London. The storyline intricately intertwines the past of Sandie (Anya Taylor-Joy) with Ellie’s current struggles. When Ellie is forced to leave her college dorm due to her unkind roommate Jocasta (Synnøve Karlsen), she starts residing with Ms. Collins (Diana Rigg).
Every night as Ellie drifts into slumber, she experiences a surreal journey back to the 1960s, taking on Sandie’s identity for the night. Meeting Jack (Matt Smith) initially seems like a wonderful fantasy, but the situation takes a sinister turn. The film’s allure lies in unraveling Sandie’s mystery alongside Ellie.
Last Night in Soho often feels like an exciting departure from Wright’s usual style. Fans of his comedic works, such as Shaun of the Dead and the beloved Three Flavours Cornetto trilogy, may be surprised. Even Baby Driver had those comedic elements, but Last Night in Soho boldly embraces the darker aspects of Ellie’s London, adding a unique depth to Wright’s filmography.
This combination of elements is what keeps me captivated by the film. Even as you anticipate the conclusion, there are always new nuances to discover with every viewing. Ellie’s transformation from a typical fashion student to a ghost story protagonist adds layers to the narrative.
One of the aspects I adore about Last Night in Soho is its aesthetic. Ellie’s fascination with the 60s and her search for fashion inspiration brilliantly shapes the film’s visual storytelling. As someone who admires Audrey Hepburn and the classic 60s silhouette, I found myself irresistibly drawn into Ellie’s dreamlike escapades.
This captivating film has lingered in my thoughts over the past three years. I have been a fan of Wright for many years—moments from Shaun of the Dead regularly pop into my mind since I viewed it in 2004. However, Last Night in Soho has transformed my perception of one of my favorite directors.
It revealed an unexpected facet of Wright’s creativity that truly resonated with me. Co-written by Wright and Krysty Wilson-Cairns, the narrative unfolds through Ellie’s exploration, drawing us into the mystery along with her, showcasing exceptional storytelling skills.
To mark the film’s third anniversary, why not revisit this Edgar Wright gem and celebrate his extraordinary talent as a filmmaker?
Image Credit: Themarysue.com
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