Why I’m Thrilled that Dexter: Original Sin Retained the Most Controversial Aspect of Michael C. Hall’s Character from the Original Series

Among the notable elements from the original series, one particular aspect has been reintegrated into Dexter: Original Sin, and it’s a welcome return. The franchise has maintained several key features throughout all eight seasons of the original Dexter, including the protagonist’s fascination with blood and the reappearance of certain characters in Original Sin. While this prequel has introduced various changes to the Dexter universe, I was particularly relieved to see the inclusion of one divisive characteristic.

Across all three Dexter series to date—and likely extending into the forthcoming Dexter: Resurrection—the internal monologue of Dexter Morgan has been a constant narrative device. Notably, despite the recasting of Michael C. Hall with Patrick Gibson, the voice of Hall is still utilized for the internal reflections in Original Sin. While living up to Hall’s legacy is a daunting challenge, Gibson has made a commendable impression in the premiere episode of Dexter: Original Sin. Importantly, the prequel has maintained one of the more contentious elements of Hall’s original portrayal.

Dexter’s Internal Monologue Remains Just As Cringe-Worthy In Original Sin

Dexter’s Thoughts Are As Overly-Edgy & Cringe-Worthy As Ever

The revival in Original Sin does not shy away from Hall’s trademark narration; in fact, Dexter’s internal musings remain as cringeworthy as before. A couple of notable examples illustrate this point. In the original Dexter, he reflects on an empty donut box by stating, “Just like me. Empty inside.”In contrast, a similar moment occurs in the pilot of Original Sin, where Dexter removes a heart and contemplates, “Heartless. Like the Tin Man. Maybe like me.”Both lines exemplify the awkwardness emblematic of Dexter’s internal dialogue, blending cheesy humor and existential introspection that is signature to the series.

Dexter: Original Sin Embraces the Heart of the Original Series

Dexter Is An Endearingly Awkward Nerd, and Original Sin Gets That

The cringey nature of Dexter’s internal dialogue is among the most debated elements of the otherwise highly praised show. Some viewers have admitted to avoiding the series altogether due to the second-hand embarrassment caused by Dexter’s narration. However, for loyal fans like myself, these awkward moments have transformed into a charming aspect of Dexter’s character. While the writing of these thoughts may not always be impeccable, their inclusion contributes to the overall flavor of the series.

Dexter Morgan’s charm lies largely in his endearing awkwardness. His peculiarities and idiosyncrasies resonate with audiences, making viewers feel a connection similar to that of a beloved, socially awkward sibling. Original Sin recognizes this quality, deliberately portraying Dexter as a lovable outsider, which is a crucial element that captivated audiences of the original series. This approach is likely to enhance the prequel’s appeal.

Dexter’s Voiceover Aligns More Clearly With the Prequel Than Before

A Clear Source for Dexter’s Narration in Original Sin

Young Dexter and Harry Morgan — Custom Image by Jordan Williams

One notable advancement in Original Sin is the coherent origin of Dexter’s voice-over. In the earlier series, including New Blood, Dexter’s thoughts seemed to emanate without a definitive source, which, while not detrimental, felt somewhat disjointed. Original Sin, however, cleverly frames Hall’s narration as a series of recollections Dexter is experiencing in flashback, following his shooting in New Blood. This narrative choice lends a contextual clarity to Dexter’s comments, essentially positioning him as an observer reflecting on his past.

Theorists have suggested that Dexter’s inner voice may represent his dark passenger, attempting to rationalize why the audience can access his unfiltered thoughts. Furthermore, Original Sin delves into the reasons behind Dexter’s quirky monologue. While Hall portrayed a character already adept at societal conformity, Patrick Gibson illustrates that Dexter’s bizarre tendencies also existed outwardly, not just internally. By maintaining this authenticity, the series succeeds in justifying the cringeworthy monologues; Dexter hasn’t outgrown his awkwardness; he has merely learned to mask it.

If Dexter: Original Sin continues leveraging the beloved qualities of its predecessor, it has the potential to evolve into an exceptional storytelling experience.

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