Why I’ve Transitioned to Being One of the Biggest Critics of The Mandalorian Season 3

Reflecting on the third season of The Mandalorian about a year and a half after its conclusion, I realize that my initial judgments surrounding this installment—one that sparked significant debate among fans—have evolved. Seasons one and two of The Mandalorian truly set a monumental standard, revolutionizing the Star Wars franchise’s approach to live-action television. However, season three appeared to fall short of those remarkable achievements, eliciting mixed reactions from the audience.

As an ardent supporter of The Mandalorian since its 2019 premiere, I found myself actively championing season three during its release. Months passed after the finale, yet I still passionately defended its merits during intense discussions with fellow fans. With time, however, I have reconciled my feelings, allowing me to take an objective stance on the season’s unique deficiencies.

Setting High Standards as a Fan

High Bar Set by Seasons 1 and 2

Anticipation for season three of The Mandalorian was incredibly high—an expectation fueled by the brilliance of the first two seasons. These seasons established an exceptional benchmark, and the extended wait of over two years only heightened my eagerness for the upcoming storyline. The narrative further complicated expectations through The Book of Boba Fett, where the arcs of Din Djarin and Grogu advanced in ways that many felt could have been better explored in season three itself.

The Mandalorian’s Rotten Tomatoes Scores By Season
Season	Critic Score	Audience Score
Season 1	93%	92%
Season 2	93%	91%
Season 3	85%	50%

Preparing for season three, I didn’t realize that the developments in The Book of Boba Fett had established a narrative difficulty for the upcoming season. Significant events—like Din’s reunion with Grogu—were likely anticipated within season three, complicating how to approach viewer expectations. Nevertheless, I maintained my enthusiasm, relying on the show’s ability to deliver on its self-established high standards.

Ultimately, it’s not merely about not meeting my personal expectations; it’s about failing to uphold its own established criteria.

Disappointment with the Titular Character

Lack of a Strong Story for Din Djarin

A significant critique I have regarding season three is its treatment of Din Djarin, the show’s titular character. As Din has risen to become my favorite character, I have always been deeply invested in his arc. However, in this season, Din’s storyline feels almost nonexistent. Instead of progressing, he often exists in the shadows of Bo-Katan Kryze and Grogu, undermining the development observed in previous seasons.

This revelation comes not from unmet expectations, which I often manage well, but rather from the narrative’s failure to deliver a compelling arc for Din Djarin. After completing his redemption arc, he mostly appears as a passive participant in Bo-Katan’s more dynamic storyline. Despite prior season setups hinting at deeper explorations of Din’s faith and allegiance to the Mandalorian Way, this season diminishes those themes.

While it’s true that Din plays a role in bridging the Children of the Watch’s trust in Bo-Katan, once that’s established, he becomes sidelined. He fails to assert himself amidst critical events in Mandalore, ultimately leading to a perception of stagnation in his character’s journey.

A Great Star Wars Narrative, but Lacking Focus

Focus on Din and Grogu is Essential

My revised view of season three recognizes it as a solid Star Wars story, yet it falls short in delivering a true Mandalorian experience. While it contains elements that resonate with a broader Star Wars narrative—such as the episode “Chapter 22: Guns For Hire,”which, despite its divisive reception, has redeeming qualities—the emotional core that characterized the first two seasons appears diminished.

Despite the grievances surrounding Din’s character development and the potential rehashing of Bo-Katan’s arc from Star Wars Rebels, the season does remain enjoyable to an extent. It has garnered a segmented fan base; while many view this season as a personal favorite, it still struggles to capture the emotional connectivity that defined its predecessors.

Opportunity for Redemption

The Movie as a Path to Redemption

Concept Art for The Mandalorian & Grogu Movie

Even though critical perspectives have surged regarding season three, I firmly believe it’s not too late for The Mandalorian to redeem itself. There is genuine optimism surrounding the forthcoming Mandalorian and Grogu movie, which, I anticipate, will reconnect with the heart of the series. If the film emphasizes Din Djarin and Grogu’s growth through an emotionally resonant narrative, it can restore the show’s legacy.

Initially, my defense of season three stemmed from an intrinsic wish to embrace it fully. The long wait had built such excitement within the fanbase that I felt compelled to support the series at all costs. As time has progressed, I have established a balance between my unwavering love for this show and the disappointments it has generated, instilling a sense of optimism for what lies ahead for The Mandalorian and its beloved characters.

Source&Images